family of 1 font from Wilton Foundry
Keep up that great western tradition with Buckle Bold!
Bookeyed Sadie has a big voice and powerful curves calling attention. She’s an Open Type font filled with a beautiful ligatures, contextual & stylish alternates. With a healthy collection of glyphs (including alternate caps, roman numerals, 2 sets of arabic numerals, and more) you can easily dress her up or down to suit the occasion and fit the project perfectly.
Her hand drawn lines reference vintage type in a modern quirky style and Sadie comes with a complete collection of dazzling ampersands to match!
Smart, sweet & sexy Bookeyed Sadie loves book designs, titles, logos & headlines and naturally works incredibly well with her cousins, Bookeyed Jack, Bookeyed Suzanne and Bookeyed Nelson.
font family from Tart Workshop, added today
Bookeyed Sadie has a big voice and powerful curves calling attention. She’s an Open Type font filled with a beautiful ligatures, contextual & stylish alternates. With a healthy collection of glyphs (including alternate caps, roman numerals, 2 sets of arabic numerals, and more) you can easily dress her up or down to suit the occasion and fit the project perfectly. Her hand drawn lines reference vintage type in a modern quirky style and Sadie comes with a complete collection of dazzling ampersands to match!
Boller is based on handwriting found on the blueprints for the Jayhawk Theater in Kansas. Thomas Williams & Boller Bros. Architects are the only names found on the blueprints.
The character set is extremely limited and many of the missing characters are extrapolated from existing letters and symbols. Ideal and distinctive at large sizes.
Bobbi Bee won't stop popping her bubblegum, even though that’s not very ladylike.


Bobbi Bee is very proud of all of her 361 numbers, letters and alternates - all of which are chock full of summer sunshine and life.
The font comes in a single weight (because she’s perfect just the way she is.) She’s cut out for a very special book title, logotype, or love letter. Keep Bobbi’s hand firmly in yours in shopping malls, as she tends to get distracted and wander, and though it’s hard, always remember to tell her how smart she is, as well as how beautiful.
Blumenkind is a fresh, bright, humanist script font radiating boundless optimism and friendly enthusiasm. Its strokes are based on the rounded triangle, which lends it a dynamic bounce and a confident human touch.
It shines in a wide range of display and editorial applications, but excels in particular in the context of art, creativity, food, social events, and spirituality.
Blumenkind is inspired by an instance of metal-strip lettering found on the Bürgermeister Kornmesser Siedlung residential building complex in Berlin from the 1960s.
The font name, being German for “flower childâ€, aims to capture the positive zeitgeist of that time evident in the letters. More…
Furthermore, a complementary version of the font (Blumenkind Alternate) is available, in which the overlapping tittles and accent marks of the original are replaced with more traditional free-floating marks.
Thanks to Georg Seifert, Rainer Scheichelbauer, and Michael Wallner for technical aid.
Blossomy is a pictographic font consisting of 72 plant and flower illustrations, designed by kapitza.
The font explores the beauty of shapes and structures in nature. The illustrations are based on photographs which have been traced by hand and are the result of a long term interest in the organic and erratic lines of naturally growing plants.
More…
The outcome was so simple and beautiful that the designers decided to keep working on new illustrations and combine them in a font.
The font covers a wide variety of flora and fauna, including pot flowers, a bonsai trees, leaves, blooms and grasses, and gives creatives a wide variety of shapes to get inspired by and use in their work.
Designed by H. Hoffman, H. Berthold initially released Block in 1908. H. Berthold also released subsequent versions reworked by Hoffman through 1926.
With its distinctive bold characters and very short descenders, Block was a staple for job printing in Germany for decades.
In the late 1970s, H.
Berthold added weights, including italics, to offer more flexibility.
family of 3 fonts from Bomparte's Fonts
Beautiful and elegant, Black Swan BF lives equally in bliss as entrance signage for an exclusive housing subdivision, as it does on the cover of a hot new music CD.
Black Cow is a scary, somewhat surrealistic looking font which came from somewhere strange and unpleasant.
Picture a tall, long-legged flamingo fishing casually for food in the Florida Everglades. The young pink bird teeters momentarily and then falls over. You have captured the essence of Birdlegs - leggy, colorful, and a bit awkward. Here is a design that works well in a number of situations including greeting cards, party favors, and casual correspondence. Use this energetic and slightly scatterbrained typeface where humor and playfulness are appropriate. More…
family of 1 font from Jeff Levine
Birch Beer JNL comes from lettering spotted on a European business sign found in some stock footage that was used for an old black and white film about World War II.
Designed for use as both a larger-than-life comic book dialogue font and a sound effects font!
Includes regular and italic, as well as a huge set of European characters!
Richard Lipton’s Bickham Script is a flowing, formal script typeface based on the lettering of 18th century writing masters, as rendered in the unparalleled engravings of George Bickham. This ornate script lends a signature flourish to invitations, menus, annual reports, restaurant logos, and packaging. With dozens of alternate letterforms in addition to its range of weights, Bickham Script’s personality can range from poised to extravagant.
It is intended primarily for display settings.
U.S. Patent Designs 407,108 and 426,570.
Originally cut in metal in 1937, Bernhard Modern seems to presage the demise of letterpress printing and the eventual rise of digital typography. Witness this comment on the typeface by its designer, Lucian Bernhard: My aim was to get all the spice and contrast into the contour ...
without counting on the ink spread. Lucian Bernhard was one of this centurys eminent graphic designers, and Bernhard Modern is his enduring masterpiece of type design.
This design is one of the true gems to come out of the 1930s typeface era. Even though the face was originally designed to counter the invasion of European sans-serifs, it remains faithful to the principles found in its creator’s poster work.
Lucian Bernhard’s lettering creation for American Type Founders is to this day a favorite among font connoisseurs worldwide.
It has a unique personality. More…
And an easier-to-identify “flagged” figure one and the new euro symbol are now located in each individual style.
Lining and oldstyle figures, stylistic alternates, and additional discretionary ligatures are now combined in each style. These advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7.
Berlin Sans is based on a brilliant alphabet from the late twenties, originally released by Bauer with the name Negro, the very first sans that Lucian Bernhard ever designed.
Assisted by Matthew Butterick, David Berlow expanded this single font into a series of four weights, all complete with expert character sets, plus a dingbat font.
Imaginative and little-known, it promises enticing opportunities to the imaginative typographer. More…
This is a stylized sans serif font family that is very high-waisted and sleek. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle.
This an attempt at a readable sans serif for text.
It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.
family of 3 fonts from Wilton Foundry
Wilton’s "Benjamin-Regular" is a delightful twist on a classic - reminiscent of Franklin Gothic, Helvetica and Frutiger with it’s own contemporary twist.